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CaptHayfever
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#61

Post by CaptHayfever » Thu Sep 02, 2010 5:04 pm

Wait, her name is What?

And remember, "I'm-a Luigi, number one!"
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Antisocial
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#62

Post by Antisocial » Thu Sep 02, 2010 10:54 pm

Putting a stock character outside his element.

^^^ OH NOES WHAT A FELONY I DID COMMIT

^^ Given that my memory is most likely worse off than yours, it's more than fine.

^ Now, don't start that again.


Memo to self: For future installments, do not work on a dirty desk, lest you end up with dirty spots as in the comic below.

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Did not prepare: Shoemi Tsuboshin
Nidesu look-alike: Mirasu Fugu
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#63

Post by Valigarmander » Fri Sep 03, 2010 8:42 am

How does she fit those eyes beneath those shades?
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#64

Post by Rainbow Dash » Fri Sep 03, 2010 9:29 am

she was squinting
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#65

Post by Deepfake » Fri Sep 03, 2010 10:07 am

Antisocial wrote:Lost some pogs: Mindy "Loop" Bauri
TOUCHDOWN!: [strike]Thurman Thomas[/strike] Michel Lapland
Was this after I told you about my 2lb brass slammer with the grim reaper hologram on it?
I muttered 'light as a board, stiff as a feather' for 2 days straight and now I've ascended, ;aughing at olympus and zeus is crying
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#66

Post by Antisocial » Fri Sep 03, 2010 11:31 pm

So I heard Other M came out recently.

^^ Yes. Let's go with that.

^ Yeah, but I knew about pogs and huge slammers way before then (I even had a pog-making machine) but your slammer was certainly an inspiration.

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Does not reflect the author: Hinigata To
Thought it was good: Sensa "Nabooru" Katae, Kel Norbison
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#67

Post by Deepfake » Sat Sep 04, 2010 2:53 am

Werd. Just curious, I couldn't remember if it was you I'd had that conversation with, actually. I think I certainly dented a few tables with that thing.

Don't blame Team Ninja. Blame Sakamoto and NoA.
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#68

Post by Antisocial » Sat Sep 04, 2010 6:34 pm

A Shy Guy's lament.

^ Given that the character is pretty much a parody of fandom, it would be safe to assume such a misconception would the first thing that comes to mind for a lot of people.

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Booster seat lady: Pleasance Colbin
High chair dude: Monroe Purada
Shorty: Misanthropy
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#69

Post by Antisocial » Sun Sep 05, 2010 10:55 pm

LOLWUT

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Sculptor: Mikato Gohru
Viewer: Retsu Iota - student

Yay. Now all the class students have been featured in posted comics.

Achievement unlocked.
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#70

Post by Bomby » Sun Sep 05, 2010 11:31 pm

Antisocial wrote:(I even had a pog-making machine)
I had one of those. That was the ****.
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#71

Post by Antisocial » Mon Sep 06, 2010 11:18 pm

This is what manga artists actually believe.

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Male perversion epitome: Shoemi Tsuboshin
Mr. Innocence: Fukuda "Bomb" Rikuu
Fanservice pawn: Emily Yurimitsu
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#72

Post by Antisocial » Tue Sep 07, 2010 11:58 pm

Suddenly, you realize...YOU'RE KILLING MUSHROOMS.

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Setting up a murder: Lybra Fulcrume
Savior: Ia
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#73

Post by DarkZero » Wed Sep 08, 2010 12:10 am

Facetables are good for keeping those pesky frogs away.
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#74

Post by Bomby » Wed Sep 08, 2010 12:10 am

You jumped over the 180 degree line.

Not that it's a bad thing in my book, but it might throw some people off.
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#75

Post by Antisocial » Wed Sep 08, 2010 12:20 am

.....

I'm having a hard time figuring out what exactly you two are talking about, so I'm just gonna sit here feeling stupid and out of the loop now.
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#76

Post by DarkZero » Wed Sep 08, 2010 12:24 am

^Facetables = Vegetables with faces. They kill Wart. Who's a frog.

And I think Bomby's talking about how he went from behind the counter to in front of the counter for no seemingly apparent reason.
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#77

Post by Bomby » Wed Sep 08, 2010 12:43 am

The 180 degree guideline is a concept in visual arts to create an uninterrupted flow between two perspectives. Imagine the pinpoint of the viewer's perspective, and imagine there's a line going between your two principal characters. Generally speaking, the line is not crossed, because the reversal of the characters can throw off the viewer for a second as they readjust to the new positioning of the characters in the room.

This isn't a rule so much as it is a guideline, and I actually quite like that last frame, so I don't have a problem with your line-crossing. Two of my favorite film directors (Yasujiro Ozu and Mikio Naruse) habitually cross the line between edits.
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#78

Post by CaptHayfever » Wed Sep 08, 2010 1:00 am

Crossing the 180 line is only a problem when the view lacks significant visual landmarks to reorient the viewer. In this comic, the stove provides that reorientation, so it works.

And remember, "I'm-a Luigi, number one!"
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#79

Post by Rainbow Dash » Wed Sep 08, 2010 1:41 am

so wait do you mean going more than 180 degrees in a certain direction during a perspective shift
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#80

Post by Bomby » Wed Sep 08, 2010 2:30 am

CaptHayfever wrote:Crossing the 180 line is only a problem when the view lacks significant visual landmarks to reorient the viewer. In this comic, the stove provides that reorientation, so it works.

And remember, "I'm-a Luigi, number one!"
Right, like an Ozu 180 flip. My professors would still mark me down for something like that, though.
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